{"id":241,"date":"2016-03-22T22:28:07","date_gmt":"2016-03-22T21:28:07","guid":{"rendered":"http:\/\/haimisaacs.com\/-\/?page_id=241"},"modified":"2023-07-17T15:17:57","modified_gmt":"2023-07-17T14:17:57","slug":"biography-2","status":"publish","type":"page","link":"https:\/\/haimisaacs.com\/-\/biography-2\/","title":{"rendered":"biography"},"content":{"rendered":"

Biography<\/h1><\/div>\r\n
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Born in in New York 1957, Haim grew up in Jerusalem. After a classical music education he met and was deeply influenced by the Roy Hart Theater<\/strong>, a group of vocal explorers in the south of France : voice, movement, imagination and another vision of what life can be. After living and working with the Roy Hart Theater for four years Haim moved to Paris where he composes, sings, writes and teaches voice.
He is currently touring Joni Mitchell in Jerusalem - Haim Isaacs sings and tells tales<\/strong>.

Haim gives voice workshops throughout Europe. He has collaborated with the Philippe Genty Company<\/strong>, Conservatoire National Supérieur d'Art Dramatique (Paris), Comédie Poitou-Charentes, Galapiat Circus, Theatre Organic and the Lille Conservatory.<\/p>\r\n <\/div><\/div>

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© Guillaume Blanchon<\/span><\/p>\r\n <\/div><\/div><\/div>

Recent Creations<\/h1><\/div>\r\n
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Joni Mitchell in Jerusalem<\/h3><\/div>\r\n
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I was fifteen when I first heard Joni Mitchell’s music in my upstairs neighbor’s flat in Jerusalem. I’m sixty-three now, living in France, and the songs still elude me, they still slip through my fingers…<\/p>\r\n

Frédéric Reynier<\/strong> : prepared piano \/ Michel Thouseau<\/strong> : double bass
Creation with Matthieu Beaudin<\/strong> and Jules Lefrançois<\/strong><\/p>\r\n

Created in 2021 : Festival Annecy Paysage \/ L'Hyper Festival de la Ville de Paris \/ La Pomme d'Ève, Paris \/ Théâtre Thénardier, Montreuil \/ Roy Hart Théâtre, Les Cévennes \/ Conservatoire des Coëvrons, la Mayenne<\/em><\/p>\r\n <\/div><\/div>

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© D.R.<\/span><\/p>\r\n <\/div><\/div><\/div>

NAZZAZZAN QUARTET<\/h3><\/div>\r\n
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Four musicians improvise in joyful complicity : double bass vociferations about me, myself and I... A water percussion duo... a false blues trio... a foursome wall of sound... a Kill Bill hommage... sprinklings of songs from Brittany and Scotland...

<\/span>Matthieu Beaudin<\/strong> accordeon, voice \/<\/em> Cyrille Froger<\/strong> piano, percussions, voice \/<\/em> Gaël Ascal<\/strong> double bass \/<\/em> Haim Isaacs<\/strong> voice<\/em>

Created in 2015 : Studio de L'Ermitage - Paris, ACP - Paris, Festival Les Arts’franchis Saint-André de Monflanquin, concerts en appartements, Festival La Voix est Libre -Paris<\/em><\/p>\r\n

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© Guillaume Blanchon<\/span><\/p>\r\n <\/div><\/div><\/div>

SOLO CONCERT<\/h3><\/div>\r\n
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For voice, piano, water bucket and floor rag.

Haim's path has followed the Roy Hart Theater, dance and clowning. Fascinated by things written and unwritten Haim weaves compositions, improvisations, songs and vocal textures. <\/span><\/p>\r\n

Haim Isaacs<\/strong> voice, piano, shruti box, water bucket, sanza \/ Jean-Marc Colet<\/strong> artistic direction

Created in 2014 : Paris, Montbéliard, Saint Brieuc, Rennes, La Dordogne, Les Cévennes, Montpellier, Barcelone.<\/em><\/p>\r\n

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© Didier Monge<\/span><\/p>\r\n <\/div><\/div><\/div>

BOI<\/h3><\/div>\r\n
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BOI ( meaning « wood » and « drink » in French) is the story of a drunk acrobat who tries to bounce back. It’s the story of a musician who accompanies the wood man in his downward spiral and final rebirth.<\/span><\/p>\r\n

Jonas Seradin<\/strong> acrobat  \/  <\/em>Haim Isaacs<\/strong> voice<\/em>

Created in 2015 : Neerpelt - Belgium<\/em><\/span><\/p>\r\n <\/div><\/div>

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LONGTEMPS JE ME SUIS COUCHE TARD<\/h3><\/div>\r\n
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Rites of passage... language... taking care of another person's body... transformations through dance and music.<\/span><\/p>\r\n

Sarath Amarasingam<\/strong> choreography, danse\u2028 \/ <\/em>Haim Isaacs <\/strong>voice, piano, dance<\/em>

2011 - 2013 : Maison du Théâtre et de la Danse \u2028Épinay-sur-Seine, Regard du Cygne, Dimanche au Garage – Rennes, \u2028la Voilerie Danses, Micadanses, Studio Danse Théâtre et Musique, Vitry sur Seine<\/em><\/p>\r\n

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FREEPOP<\/h3><\/div>\r\n
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A meeting point between free improvisation and song : Joni Mitchell, Sting, James Taylor, Michael Jackson et Stevie Wonder.<\/span><\/p>\r\n

Stefano Genovese<\/strong> piano, accordeon and objets sonores<\/em> \/ Haim Isaacs<\/strong> voice<\/em>

2009 - 2010 : Slovénie, La maison du Conte - Chevilly Larue\u2028, Comme Vous Emoi – Montreuil, Monastère de Fonte Avellana - Italie, Regard du Cygne – Paris<\/em><\/p>\r\n

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THE HOLE IN THE WALL <\/h3><\/div>\r\n
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\"Things written and unwritten\"<\/strong><\/p>\r\n\r\n

Based on Haim Isaacs’ compositions the concert navigates between written music and improvisation, between conventional instruments (piano, trumpet) and objets sonores (water, plastic, sea shell and broom).<\/span>\u2028 <\/span><\/p>\r\n

Izidor Leitinger<\/strong> flugelhorn, piano, voice, shofar, sea shell \/ <\/em>Haim Isaacs <\/strong>piano and voice

<\/em>2007 - 2009 : Théâtre la MaMa - New York, Mimo Festival – Brésil, La Slovénie, Eglise St Eustache – Paris, Monastère de Fonte Avellana - Italie, Chapelle Ste Marie d'en Haut – Grenoble, L'enclos paroissial de Runan, Bretagne\u2028 Couvent Alternatif, Camlez, Bretagne, Theater Vrijburcht – Amsterdam, Le Regard du Cygne – Paris, Roy Hart Théâtre - les Cévennes<\/em><\/p>\r\n

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Improvised music<\/h3><\/div>\r\n
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I’ve had the joy of singing with these artists during concerts of improvised music.<\/span><\/p>\r\n

Barre Phillips<\/strong> improvised Music \/ <\/em>Gaël Ascal<\/span><\/strong> double bass \/<\/strong><\/em> Matthieu Beaudin <\/strong>accordeon, voice\/<\/em> Cyrille Froger<\/strong> piano, percussions, voice \/ <\/em>Stefano Genovese<\/strong> piano, accordeon \/ <\/em>Izidor Leitinger <\/strong>flugelhorn \/<\/em> Michel Thouseau<\/strong> double bass \/<\/em> Renaud Pion<\/strong> clarinet \/ <\/em>Payâm Akhshik<\/strong> santour \/ <\/strong><\/em>Abbi Patrix <\/strong>storytelling \/ <\/em>Sarath Amarasingam <\/strong>dance<\/em> \/ Rémi Yulzari<\/strong> double bass \/ <\/em>Baptiste Arnaud<\/strong> clarinet \/<\/em> Marco Quaesimin<\/strong> double bass \/ <\/em>Christophe Dellers <\/strong>bandoneon<\/em> \/ Gyohei Zaitsu <\/strong>Buto dance \/ <\/em>Khadija el Mahdi<\/strong> mask, text \/ <\/em>Thanduxolo Bezana<\/strong> song, gumboots \/ <\/em>Gigi Lamorose<\/strong> clown<\/em> \/ Dany Thepenler<\/strong> machines \/ <\/em>Aurélie Pichon <\/strong>bass clarinet \/ <\/em>Shankar Kirpalani<\/strong> cello<\/em> \/ Macdara Smith<\/strong> trumpet, voice \/<\/em> Fred André<\/strong> voice \/<\/em><\/span>\u2028 <\/span><\/em>Cathy Grouet<\/span><\/strong> dance \/ Mathias Desmier<\/strong> guitar \/ <\/em>Kazumi Fuchigami<\/strong> dance<\/em><\/span>\u2028<\/em> \/ <\/em>Linda Edsjo<\/strong> percussions<\/em><\/span>\u2028 \/<\/span> <\/span><\/em>Joao Gonzalez Gracio<\/span><\/strong> <\/strong>percussions<\/em><\/span>\u2028<\/em> \/ <\/em>Jean-Philippe Costes Muscat <\/strong>dance \/<\/em> Antoine Banville <\/strong>percussions \/<\/em> Kumi Iwase <\/strong>saxophone<\/em><\/span>\u2028<\/em> \/<\/em> Sylvain Lemêtre <\/strong>percussions \/ <\/em>neKomata <\/strong>dance \/<\/em> June Mcgrane<\/strong> voice, improvised text \/<\/em> Yannick Lopez<\/strong> accordeon \/<\/em> Mam’Sika<\/strong> voice \/ <\/em>Marie Estève<\/strong> voice \/<\/em> Patrice Jardinet<\/strong> bugle, electronics \/<\/em> Jean Gabriel Massardier<\/strong> video composition in real time <\/em><\/span><\/p>\r\n

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Vocal director<\/h1><\/div>\r\n
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2022<\/h3><\/div>\r\n
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Chant Byzantins et Musique Electroacoustique<\/strong> Abbaye de Noirlac (Fanny Perrier et Matthieu Reynaud)<\/em>
Espèces d’Indésirables<\/strong> Balade dansée, slamée et chantée, Cie Infusion<\/em>
Bar à Bulles<\/strong> Cie Caribou<\/em>
Duo Voix et Rythmes Mouvementés<\/strong> Cie Etreintes (Noëlle Thysse)<\/em>
Naitre ou pas Naitre<\/strong> Oxygène O (Natale)<\/em>
Théâtre Transformations<\/strong> (Tracey Boot)<\/em><\/p>\r\n

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2021<\/h3><\/div>\r\n
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Concert chant Byzantin<\/strong> Festival Avignon off (Fanny Perrier et Michel Thouseau)<\/em>
Cabaret Grenadine<\/strong> Cie la Doryphore, Lydia Sevette (Masques et Marionettes)<\/em><\/p>\r\n

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© Lydia Sevette<\/span><\/p>\r\n <\/div><\/div><\/div>

2020<\/h3><\/div>\r\n
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La Maison de Bernarda Alba<\/strong> Federico Garcia Lorca, CDN Poitou-Charentes (Yves Beaunesne)<\/em><\/p>\r\n

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© Guy Delahaye<\/span><\/p>\r\n <\/div><\/div><\/div>

2019<\/h3><\/div>\r\n
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Ruy Blas<\/strong> (Vitor Hugo)<\/strong> CDN Poitou-Charentes (Yves Beaunesne)<\/em>
Trio Suzanne<\/strong>  Nancy (Marc Goujot)<\/em>
Concert chant Bysantin<\/strong>  Festival Avignon off (Fanny Perrier)<\/em>
Laila Aicha le chant Berbère de l'eau<\/strong>  Festival Avignon off (Khadija El Mahdi)<\/em>
Les Sorcières <\/strong>La Maison du Conte  Chevillie Larue <\/em>
Premiers Printemps Paris<\/strong>  Compagnie Soleil sous la pluie (Catherine Gendre)<\/em><\/p>\r\n <\/div><\/div>

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2018<\/h3><\/div>\r\n
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Prince travesti<\/strong> (Marivaux)<\/strong> CDN Poitou-Charentes (Yves Beaunesne)<\/em>
C'est quand même remarquable<\/strong>  CNSAD Paris (Yvo Metens)<\/em><\/div>\r\n
Tram des Balkans<\/strong>  Lyon (Vincent Gaffé)<\/em><\/div>\r\n
Trio Suzanne<\/strong>  Nancy (Marc Goujot)<\/em><\/div>\r\n
Oy Trio<\/strong>  Nantes (Julia Melançon)<\/em><\/div>\r\n
La démocratie du désir<\/strong>  Paris (Nathalie Canion)<\/em><\/div>\r\n <\/div><\/div>
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2017<\/h3><\/div>\r\n
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Roméo et Juliette (Shaekespeare) <\/strong>Théâtre Transformations Chambery (masques et voix)
<\/em>Grenadine (Lydia Sevette) <\/strong>Paris (Masques et Marionettes)<\/em>
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2016<\/h3><\/div>\r\n
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Paysages Intérieurs<\/strong> Cie Philippe Genty
<\/em>Le Cid (Corneille) <\/strong>CDN Poitou-Charentes (Yves Beaunesne)<\/em>
<\/em>Cave Canum<\/strong> Cie Azeïn (Audrey Louw<\/span>et)
<\/em>Vavangaz Ti Katorz<\/strong> (Cazal)<\/strong> Cie Zafer (Nelly Cazal)<\/em><\/p>\r\n <\/div><\/div>

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2015<\/h3><\/div>\r\n
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Intrigue et Amour (Schiller)<\/strong> CDN Poitou-Charentes (Yves Beaunesne)
<\/em>Nouvelles représailles (H. Levin)<\/strong> Cie les Héliades (Véronique Widock)<\/em> 
Aragon en Chansons<\/strong> Sylvain Fontimpe and Clement Caratini
<\/em>Mad #47# (Brie)<\/strong> Cie Gakokoé (Mohamed Guellati)<\/em><\/p>\r\n <\/div><\/div>

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2014<\/h3><\/div>\r\n
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L’Annonce Faite à Marie (Claudel)<\/strong> CDN Poitou-Charentes (Yves Beaunesne)
<\/em>Mahâbhârata<\/strong> La Maison du Conte (Abbi Patrix)
<\/em>BOI<\/strong> Galapiat Cirque (Jonas Séradin)
<\/em>Dédoublez moi<\/strong> Galapiat Cirque (Barbara Gay)
<\/em>Les Elles<\/strong> Cie Amara (Emmanuelle de Gasquet)
<\/em>La Corde et On<\/strong> Cie L'Hydragon (Valentin Bellot)
<\/em>Small<\/strong> Cie Aruspice Circus (Bruno Robert)
<\/em>Vous<\/strong> (Vincent Gaffet)
<\/em>Betty<\/strong> (Théâtre Transformations)<\/em><\/p>\r\n <\/div><\/div>

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2013<\/h3><\/div>\r\n
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Ne M’oublie Pas<\/strong> Cie Philippe Genty
<\/em>Shilpkes<\/strong> Cabaret Yiddish<\/em><\/p>\r\n <\/div><\/div>

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2011<\/h3><\/div>\r\n
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Musiques Intérieure<\/strong> Trondelag University, Norvège
<\/em>Antigone (Sophocle)<\/strong> Théâtre du Temps Pluriel (Olivier Broda) (composer and vocal direction)
<\/em>Tram des Balkans<\/strong> (Vincent Gaffet)<\/em><\/p>\r\n <\/div><\/div>

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2010<\/h3><\/div>\r\n
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Voyageurs Immobiles<\/strong> Cie Philippe Genty<\/em><\/p>\r\n <\/div><\/div>

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Before 2010<\/h3><\/div>\r\n
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Illico Quintet<\/strong> Strings and Voice  \/<\/em> The Coat (Gogol)<\/strong> Théâtre de la Jacquerie \/<\/em> The Mandragore<\/strong> (Machiavel)<\/strong> Cie Art Scénicum, (vocal dir. and composition) \/ <\/strong><\/em>Liliom (Molnàr)<\/strong> Théâtre de la Jacquerie \/<\/em> Cabaret Monstre<\/strong> Théâtre de la Jacquerie \/ <\/em>Femmes, guerre et comédie (Brasch)<\/strong> Théâtre Alibi (vocal dir. and composition) \/<\/em> Théâtre alchimique<\/strong> Panthéâtre<\/em><\/p>\r\n <\/div><\/div>

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Cd's<\/h1><\/div>\r\n
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The Hole in the Wall<\/span><\/strong> <\/strong>composer, lead singer 2006<\/em><\/span><\/p>\r\n

Cathy Gringelli <\/span><\/strong>composer, back up vocals 2002<\/span><\/em><\/p>\r\n

Haurogné à 4 voix<\/strong> arranger, back up vocals 2002<\/em><\/p>\r\n

The Bastard’s Paradise<\/strong> <\/em><\/span>composer, lead singer 1997<\/span><\/em><\/p>\r\n

Racines dans l’air<\/span><\/strong> singer with Livia Koppmann 1992<\/span><\/em><\/p>\r\n

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Studies<\/h1><\/div>\r\n
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Voice<\/span><\/strong> Roy Hart Théâtre <\/em><\/span><\/p>\r\n

Classical singing<\/span><\/strong> Judy Axelrod, Dov Kaplan, Patricia Palamara <\/em><\/span><\/p>\r\n

Theory and harmony<\/span><\/strong> <\/strong>San Francisco State University<\/em><\/span><\/p>\r\n

Experimental vocal improvisation<\/span><\/strong> Izidor Leitinger, Alex Grillo, Phil Minton, Joelle Leandre <\/em><\/span><\/p>\r\n

Vocal jazz <\/span><\/strong>Pierrick Hardy, Andrew Crocker, Roger Letson, Sara Lazarus, David Linx, Rhiannon<\/span> <\/span><\/em><\/p>\r\n

Indian vocal percussion<\/span><\/strong> Marylène Ingremeau<\/em><\/span> <\/span><\/em><\/p>\r\n

Buto dance<\/span><\/strong> Gyohei Zaitsu <\/em><\/span><\/p>\r\n

Contemporary dance<\/span><\/strong> Karim Sebar, Julyen Hamilton, Olivier Besson, Jean Marc Colet, Trudy Kressel, Paola Piccolo, Dominique Dupuis, Françoise Dupuis, Jackie Taffenel<\/em><\/span><\/p>\r\n

Storytelling<\/span><\/strong> Abbi Patrix, Ben Haggerty<\/em><\/span><\/p>\r\n

Choreographic theater<\/strong> <\/em><\/span>Enrique Pardo <\/span> <\/span><\/em><\/p>\r\n

Clown<\/span><\/strong> Eric Blouet, Fred Robbe, Daniel Bourgy, Nino Montalto, Bataclown, Ludor Citrik<\/em> <\/span><\/p>\r\n

Tchi Qong<\/strong> François Liu<\/em><\/p>\r\n

Yoga<\/strong> Iyengar<\/em><\/p>\r\n

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Publications<\/h1><\/div>\r\n
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Her Flat Was Dry<\/strong> <\/span>Ginosko literary journal, February 2013<\/em>  <\/span> <\/span><\/p>\r\n

Tzipora<\/strong> <\/span>Workers Write Journal ! June 2012<\/span> <\/span><\/em><\/p>\r\n

Old Tom Thumb <\/em><\/span><\/strong>Mochila Review, May 2011<\/span><\/em><\/p>\r\n

Zouhira <\/span><\/strong>Massachusetts Review, September 2010<\/span><\/em><\/p>\r\n

Tzipora<\/strong> <\/span>finalist for the Glimmer Train Short Story Award, May 2010<\/span><\/em><\/p>\r\n

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Biography Born in in New York 1957, Haim grew up in Jerusalem. After a classical music education he met and was deeply influenced by the Roy Hart Theater, a group of vocal explorers in the south of France : voice, movement, imagination and another vision of what life can be. After living and working with the Roy Hart Theater for four years Haim moved to Paris where he composes, sings, writes and teaches voice.He is currently touring Joni Mitchell in Jerusalem – Haim Isaacs sings and tells tales. Haim gives voice workshops throughout Europe. He has collaborated with the Philippe Genty Company, Conservatoire National Supérieur d’Art Dramatique (Paris), Comédie Poitou-Charentes, Galapiat Circus, Theatre Organic and the Lille Conservatory. © Guillaume Blanchon Recent Creations Joni Mitchell in Jerusalem I was fifteen when I first heard Joni Mitchell’s music in my upstairs neighbor’s flat in Jerusalem. I’m sixty-three now, living in France, and the songs still elude me, they still slip through my fingers… Frédéric Reynier : prepared piano \/ Michel Thouseau : double bassCreation with Matthieu Beaudin and Jules Lefrançois Created in 2021 : Festival Annecy Paysage \/ L’Hyper Festival de la Ville de Paris \/ La Pomme d’Ève, Paris \/ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-241","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/pages\/241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/comments?post=241"}],"version-history":[{"count":2,"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/pages\/241\/revisions"}],"predecessor-version":[{"id":243,"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/pages\/241\/revisions\/243"}],"wp:attachment":[{"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/media?parent=241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}