{"id":611,"date":"2022-02-13T16:20:04","date_gmt":"2022-02-13T15:20:04","guid":{"rendered":"https:\/\/haimisaacs.com\/-\/?page_id=611"},"modified":"2026-09-02T12:55:43","modified_gmt":"2026-09-02T11:55:43","slug":"joni-mitchell-in-jerusalem","status":"publish","type":"page","link":"https:\/\/haimisaacs.com\/-\/joni-mitchell-in-jerusalem\/","title":{"rendered":"Joni Mitchell in Jerusalem"},"content":{"rendered":"<div class='row'><div style='padding-bottom:30px;' class='span12 first-module module_number_1 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    <p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" src=\"\/-\/wp-content\/uploads\/2025\/04\/Concert-Ermitage-IMG_9792.jpg\" width=\"1400\" height=\"1864\" \/><\/p>\r\n<p style=\"text-align: right;\">Concert at Studio de l'Ermitage, Paris - march 2025 - photo Anne Dupagne<\/p>\r\n                <\/div><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:60px;' class='span12  module_number_2 module_cont  module_text_area'><div class='bg_title'><h1 style='color:#60bd02;' class='headInModule'>JONI MITCHELL IN JERUSALEM<\/h1><\/div>\r\n                <div class='module_content'>\r\n                    \r\n                <\/div><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:30px;' class='span4  module_number_3 module_cont  module_text_area'><div class='bg_title'><h2 style='color:#60bd02;' class='headInModule'>CD<\/h2><\/div>\r\n                <div class='module_content'>\r\n                    <p><em><strong>Distributed by<\/strong><\/em> <em><strong>l'Autre Distribution<\/strong><\/em><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>\"There are trendy tributes, and then there are declarations of love.&nbsp;Joni Mitchell in Jerusalem&nbsp;is one of those. A deferential, irreverent tribute to the brooding Canadian singer, Haim Isaacs' album revisits 11 tracks, urgently placing them on the worktable.&nbsp;Joni Mitchell in Jerusalem&nbsp;is one of those artisanal records, where one can sit back and listen to dreams. It's a soundtrack, ferociously intimate, and paradoxically universal. \"<\/p>\r\n<p>&nbsp;<\/p>\r\n<p><strong>Pointbreak.fr<\/strong> \/ Groove &agrave; Plaisirs \/ by Guillaume Malvoisin<\/p>\r\n<p>&nbsp;<\/p>\r\n<p><br \/>\"Ever since he was a teenager, Haim Isaacs has been passionately in love with the music of Joni Mitchell. He even became possessed by it, to the point of becoming a sort of &ldquo;singing madman&rdquo;, setting off from his native New York to spread the good word mitchellian, head to the wind, on the roads of the Middle East. Original and successful, the album Joni Mitchell in Jerusalem makes you want to listen to this inspired shaman in a place with a more than appropriate name... the Hermitage.\"<\/p>\r\n<p>&nbsp;<\/p>\r\n<p><strong>Telerama<\/strong> \/ by Louis-Julien Nicolaou<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span4  module_number_4 module_cont  module_text_area'><div class='bg_title'><h2 style='color:#60bd02;' class='headInModule'>PRESS, CHRONICLES<\/h2><\/div>\r\n                <div class='module_content'>\r\n                    <p>\"In the long series of tributes, here's a truly original album that caught our attention, whether or not you're a connoisseur of Joni Mitchell&rsquo;s work.&nbsp;This creative album never sounds like a rehash, and immerses us in an almost mystical sensation, that of attending an eminently spiritual concert. The covers are nuanced, playful and melancholy, depending on the lyrics, which are more or less introspective; sonic landscapes that are never arid take shape and unfold before our eyes, like Joni's paintings.<br \/>A warm, deep, gravelly voice that also has a beautiful ambitus, a perfect elocution where each of Joni's words resonates, sculpted as in the fascinating&nbsp;Little Green.&nbsp;If Haim Isaacs and his equally inspired musicians invite us to a highly recommendable experience, we may be tempted to go back to the source. A great moment guaranteed.\"<\/p>\r\n<p>&nbsp;<\/p>\r\n<p><strong>Les Derni&egrave;res Nouvelles du Jazz<\/strong> \/ by Sophie Chambon<br \/><br \/><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>\"For the past four years, Haim Isaacs has been celebrating the work of his youthful passion, Joni Mitchell. Surrounded by five musicians, he fine-tuned this astonishing album in the studio, creating an acoustic universe in which his exceptional voice blends with polyphonic harmonies, cello, accordion, percussion and piano to make ten songs by the folk icon his own.\"<\/p>\r\n<p>&nbsp;<\/p>\r\n<p><strong>Rock and folk<\/strong><\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span4  module_number_5 module_cont  module_text_area'><div class='bg_title'><h2 style='color:#60bd02;' class='headInModule'>CONCERT: COMING SOON<\/h2><\/div>\r\n                <div class='module_content'>\r\n                    <p><span class=\"Y2IQFc\" lang=\"en\"><strong>Sunside<\/strong><\/span><\/p>\r\n<div id=\"tw-target-text-container\" class=\"tw-ta-container tw-nfl\" tabindex=\"0\" role=\"text\">\r\n<pre id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: left;\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjmv87K_OeSAxWZUKQEHRMCK_0Q3ewLegQIDBAV\" aria-label=\"Texte traduit&nbsp;: Sunset\r\n\r\n60, rue des Lombards, 75001 Paris\r\n\r\nWednesday, April 1, 2026 - 9:30 PM\"><span class=\"Y2IQFc\" lang=\"en\">\r\n60, rue des Lombards, 75001 Paris\r\n\r\n<strong>Wednesday, April 1, 2026 - 9:30 PM<\/strong><\/span><\/pre>\r\n<\/div>\r\n<div id=\"tw-target-rmn-container\" class=\"tw-target-rmn tw-ta-container tw-nfl\" tabindex=\"-1\" role=\"text\">\r\n<pre id=\"tw-target-rmn\" class=\"tw-data-placeholder tw-text-small tw-ta\" dir=\"ltr\" style=\"text-align: left;\" tabindex=\"-1\" role=\"text\" data-placeholder=\"\"><span class=\"Y2IQFc\">&nbsp;<\/span><\/pre>\r\n<\/div>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" src=\"\/-\/wp-content\/uploads\/2024\/06\/CD-Dos-Haim-Isaacs-Joni-Mitchell-in-Jerusalem-RVB.jpg\" alt=\"Joni Mitchell &agrave; J&eacute;rusalem\" width=\"395\" height=\"354\" \/><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<h2><span style=\"color: #60bd02;\">LISTEN, PURCHASE<\/span><\/h2>\r\n<p><strong><a href=\"https:\/\/linktr.ee\/haimisaacs\" target=\"_blank\" rel=\"noopener\">MUSIC ONLINE &gt;<\/a><\/strong><\/p>\r\n<p><strong><a href=\"\/-\/boutique\/\" target=\"_blank\" rel=\"noopener\">ORDER THE CD &gt;<\/a><\/strong><\/p>\r\n<p><br \/><br \/><\/p>\r\n<p>&nbsp;<\/p>\r\n                <\/div><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:60px;' class='span12  module_number_6 module_cont  module_divider'><hr class=\"type1 \"><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:60px;' class='span6  module_number_7 module_cont  module_text_area'><div class='bg_title'><h2 style='color:#60bd02;' class='headInModule'>HISTORY OF THE PROJECT<\/h2><\/div>\r\n                <div class='module_content'>\r\n                    <p>I was fifteen when I first heard&nbsp;<strong>Joni Mitchell<\/strong>&rsquo;s music in my upstairs neighbor&rsquo;s flat in Jerusalem. I&rsquo;m sixty-four now, living in Paris, and the songs still elude me, they still slip through my fingers.\u2028<\/p>\r\n<p><strong>Joni Mitchell in Jerusalem<\/strong>&nbsp;has been brewing for over 20 years. Then one morning it&rsquo;s now... I must do it right now. Throughout France, massive strikes, followed by Covid. I cloistered myself in a studio for three months, experimenting with arrangements and soundscapes.\u2028<\/p>\r\n<p><strong>I had a strong wish to share stories on how, in the 70&rsquo;s, Joni&rsquo;s music penetrated my heart in the Middle East.<\/strong>&nbsp;Speaking in the third person, high schooler H wanders through the streets of Jerusalem, Jericho and Bethlehem, haunted by Joni. She follows him down to the Sinai desert where H, now a medic in the tank corps, sees her dancing in the dunes.\u2028Our jazz quartet stays true to Joni&rsquo;s melodic lines and harmonies while creating fresh instrumental soundscapes. Three-voice harmonies abound.<\/p>\r\n<p><strong>We are currently performing throughout France and hope to share the music with other European countries.<\/strong><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p><a href=\"\/-\/wp-content\/uploads\/2023\/10\/Haim-Isaacs-sings-Joni-Mitchell-web-2023-10-11.pdf\" target=\"_blank\" rel=\"noopener\"><strong>SEE THE PRESS KIT &gt;<\/strong><\/a><\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span6  module_number_8 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    <p>v<img loading=\"lazy\" decoding=\"async\" style=\"float: right;\" src=\"\/-\/wp-content\/uploads\/2024\/06\/haim-couv-CD-mail-RVB.jpg\" alt=\"Joni Mitchell &agrave; J&eacute;rusalem\" width=\"500\" height=\"500\" \/><\/p>\r\n                <\/div><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:60px;' class='span12  module_number_9 module_cont  module_divider'><hr class=\"type1 \"><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:30px;' class='span4  module_number_10 module_cont  module_text_area'><div class='bg_title'><h6 style='' class='headInModule'>Live at the Sunside<\/h6><\/div>\r\n                <div class='module_content'>\r\n                    <p><iframe loading=\"lazy\" title=\"Joni Mitchell in Jerusalem - Haim Isaacs live at the Sunset Jazz Club\" src=\"https:\/\/www.youtube.com\/embed\/SY3-4hB0UKE\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span4  module_number_11 module_cont  module_text_area'><div class='bg_title'><h6 style='' class='headInModule'>Little Green<\/h6><\/div>\r\n                <div class='module_content'>\r\n                    <p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/GzRSzW6pK0k\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span4  module_number_12 module_cont  module_text_area'><div class='bg_title'><h6 style='' class='headInModule'>Blue Motel Room<\/h6><\/div>\r\n                <div class='module_content'>\r\n                    <p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3dQ3juc-onQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n                <\/div><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:60px;' class='span12  module_number_13 module_cont  module_divider'><hr class=\"type1 \"><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:30px;' class='span12  module_number_14 module_cont  module_text_area'><div class='bg_title'><h2 style='color:#60bd02;' class='headInModule'>THE TEAM<\/h2><\/div>\r\n                <div class='module_content'>\r\n                    \r\n                <\/div><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:30px;' class='span3  module_number_15 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    <p><img decoding=\"async\" src=\"\/-\/wp-content\/uploads\/2022\/02\/haim-isaacs-large.jpg\" alt=\"\" \/><\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span3  module_number_16 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    <p><img loading=\"lazy\" decoding=\"async\" src=\"\/-\/wp-content\/uploads\/2025\/04\/frederic-reynier-2.jpg\" alt=\"Fr&eacute;d&eacute;ric Reynier\" width=\"1024\" height=\"908\" \/>&nbsp;<br \/><br \/><\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span3  module_number_17 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    <p><img loading=\"lazy\" decoding=\"async\" src=\"\/-\/wp-content\/uploads\/2025\/04\/jules-lefrancois.jpg\" alt=\"Jules Lefran&ccedil;ois\" width=\"1100\" height=\"979\" \/><\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span3  module_number_18 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    <p><img loading=\"lazy\" decoding=\"async\" src=\"\/-\/wp-content\/uploads\/2022\/09\/yann-lou-bertrand-rond.jpg\" alt=\"Yann-Lou Bertrand\" width=\"1024\" height=\"918\" \/><\/p>\r\n                <\/div><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:40px;' class='span3  module_number_19 module_cont  module_text_area'><div class='bg_title'><h3 style='color:#60bd02;' class='headInModule'>Haim Isaacs<\/h3><\/div>\r\n                <div class='module_content'>\r\n                    <p><strong>Voice<\/strong><\/p>\r\n<p>A red swing in a back yard... a kid singing his lungs out... up in the clouds with Mary Poppins... twirling atop the Austrian Alps with Maria Von Trappe. In New York, my family boards a boat, furniture and all, and lands in Israel. All I can say in Hebrew is: Hello... my name is Haim... how are you? That doesn&rsquo;t go far in 7th grade. I daydream my way through History, Bible, Geometry, Chemistry. Language as abstract sound. Then Jerusalem Experimental High School: hippie territory: the process is what matters, not the result. Then the army: just get there! we don&rsquo;t give a fuck how! Then a one-way ticket to San Francisco: harmony, counterpoint, piano, voice. Digging under the skins and into the mouths of Dietrich Fischer-Dieskau and Ella Fitzgerald. Then the Iron Curtain: Hungary, I want to move there, but stop off in Jerusalem and find Barry and the Roy Hart Theater passing through. Kaya, Akhmatova. Crazy wild voice work: screaming, shouting, soprano, basso, industrial squeaks. I follow their trail to the south of France and spend 4 years in a French kibbutz. Great. Terrific. Then Paris; teaching voice, singing, recording Jewish songs in Poland (Isaac Bashevis Singer&rsquo;s Krochmalna Street gutted and pockmarked). Then 17 years of composition: putting together groups, making records. Then improvising: voice, buto, clowning, tchatch. We&rsquo;re getting closer to now: NazzazzaN Quartet. Wild skydivers doing concerts in swimming pools and circus tents. And now: Joni Mitchell: queen of queens. My brother says I was born the day I first heard her. He&rsquo;s usually right.<\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:40px;' class='span3  module_number_20 module_cont  module_text_area'><div class='bg_title'><h3 style='color:#60bd02;' class='headInModule'>Fr\u00e9d\u00e9ric Reynier<\/h3><\/div>\r\n                <div class='module_content'>\r\n                    <p><strong>Piano<\/strong><\/p>\r\n<p>Originally a percussionist, Fr&eacute;d&eacute;ric moved on to piano at the National Conservatory of Bourgoin-Jallieu, followed by the Geneva Conservatory of Music.<br \/>He developed a taste for improvisation and contemporary dance: Recital for piano, two dancers and wind instruments (Cie Pas T'&agrave; Trac). <br \/>He composes for theatre and contemporary art: The two doors (Cie de la Bulle), Aka... Kraka, the Game of Protocol (Th&eacute;&acirc;tre du tiroir), &Eacute;rosion Sur Le Vif, improvised performance with the visual artist Qiang Ma.<br \/>Fr&eacute;d&eacute;ric is deeply engaged with living composers: Three Melodies with Texts by Fabrice Villard (Martin Moulin); Urlicht, Feer am Klavier and Verstecklungen by Fran&ccedil;ois Ross&eacute;. <br \/>The meeting with these two composers has lead him to develop his own work: Puntiti et le Monstre des Grottes, a musical tale, published by Aedam Musicae; &Ccedil;a Cheuyait des Chants, a performance for choir and chamber orchestra based on Mayenne songs, commissioned by the Mayenne department; En Quadrature, a piece for four pianos; C dans C, a chamber opera based on Camille Claudel.<\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:90px;' class='span3  module_number_21 module_cont  module_text_area'><div class='bg_title'><h3 style='color:#60bd02;' class='headInModule'>Jules Lefran\u00e7ois<\/h3><\/div>\r\n                <div class='module_content'>\r\n                    <p><strong>Tuba, percussions, backup vocals<\/strong><\/p>\r\n<p>As a young boy, Jules delved into both music and acrobatics. He immediately knew that these<br \/>two passions would be his life. Since graduating from the National Superior Conservatory of Paris as a trombonist, Jules performs freelance in orchestras throughout France.<\/p>\r\n<p>As an acrobat and clown, he has trained in France and China and performs with multiple<br \/>companies mixing music and circus.<\/p>\r\n<p>&nbsp;<\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:40px;' class='span3  module_number_22 module_cont  module_text_area'><div class='bg_title'><h3 style='color:#60bd02;' class='headInModule'>Yann-Lou Bertrand<\/h3><\/div>\r\n                <div class='module_content'>\r\n                    <p><strong>Double bass, trumpet, backup vocals<\/strong><\/p>\r\n<p>Yann-Lou Bertrand studied music at the CRR de Paris, where he earned his DEM (Diploma of Music and Music Studies) in Jazz. He attended masterclasses with Pierre Bertrand, Jean-Philippe Viret, Karim Ziad, Andr&eacute; Minvielle, Marie-Christine Dacqui, and Emil Spanyi.<br \/><br \/>With the group Monkuti, led by Mario Orsinet, he toured South America, New Orleans, Portugal, Benin, and Tunisia. He released the album \"Monkuti Vil&eacute;\" in 2018.<br \/><br \/>Still connected to jazz, Yann Lou recorded \"Garner on My Mind\" with Jean-Baptiste Franc and Mourad Benhamou in 2020.<br \/><br \/>He currently collaborates on stage and in the studio with singer Luna Silva, as well as Oriane Lacaille and Haim Isaacs<\/p>\r\n                <\/div><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:30px;' class='span3  module_number_23 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    <p><img loading=\"lazy\" decoding=\"async\" src=\"\/-\/wp-content\/uploads\/2025\/04\/Mathieu-Beaudin-2.jpg\" alt=\"Haim Isaacs\" width=\"1100\" height=\"979\" \/><\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span3  module_number_24 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    <p><img loading=\"lazy\" decoding=\"async\" src=\"\/-\/wp-content\/uploads\/2025\/04\/Mauro-Basilio.jpg\" alt=\"Haim Isaacs\" width=\"1100\" height=\"979\" \/><\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span6  module_number_25 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    \r\n                <\/div><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:30px;' class='span3  module_number_26 module_cont  module_text_area'><div class='bg_title'><h3 style='color:#60bd02;' class='headInModule'>Mathieu Beaudin<\/h3><\/div>\r\n                <div class='module_content'>\r\n                    <p><strong>Electronic accordion<\/strong><strong>, backup vocals<\/strong><\/p>\r\n<p>Accordionist and pianist since childhood (Bill Evans Piano Academy), Matthieu is also a clown and actor (Ecole Samovar).<br \/><br \/>He combines these talents in multiple projects: Le Rire M&eacute;decin, the Boca Abierta Company, the Les Gens Qui Contes Company, the Les Racines du Vent Company, and Haim Isaacs (Quartet Nazzazzan and Joni Mitchell in Jerusalem).<\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span3  module_number_27 module_cont  module_text_area'><div class='bg_title'><h3 style='color:#60bd02;' class='headInModule'>Mauro Basilio<\/h3><\/div>\r\n                <div class='module_content'>\r\n                    <p><strong>cello, oud<\/strong><strong>, backup vocals<\/strong><br \/><br \/>Mauro is a multi-instrumentalist: cello, guitar, oud, period instruments (lutes, fiddles), percussion (frame drums, stick drums), and computer music.<br \/><br \/>He combines early and contemporary music, written music with improvisation. As a composer, Mauro collaborates with circus, theater, and dance.<br \/><br \/>His multiple projects have taken him from Turin to Berlin and now to Paris.<\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:60px;' class='span12  module_number_28 module_cont  module_divider'><hr class=\"type1 \"><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:60px;' class='span12  module_number_29 module_cont  module_text_area'><div class='bg_title'><h2 style='color:#60bd02;' class='headInModule'>PHOTOS<\/h2><\/div>\r\n                <div class='module_content'>\r\n                    <p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" src=\"\/-\/wp-content\/uploads\/2024\/06\/Montage-photo-2024-5.jpg\" width=\"1400\" height=\"1864\" \/><\/p>\r\n<p>Photos St&eacute;phane Plumas<\/p>\r\n                <\/div><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:60px;' class='span12  module_number_30 module_cont  module_divider'><hr class=\"type1 \"><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:90px;' class='span4  module_number_31 module_cont  module_text_area'><div class='bg_title'><h2 style='color:#60bd02;' class='headInModule'>PAST CONCERTS<\/h2><\/div>\r\n                <div class='module_content'>\r\n                    <p><strong>\"&Agrave; toutes Vapeurs\"<\/strong><strong>&nbsp;Festival,<\/strong> Olivet, October 18, 2025<\/p>\r\n<p><strong>Studio de l'Ermitage, <\/strong>March 7, 2025<\/p>\r\n<p><strong>Festival Ateliers Jazz de Meslay-Grez (53, <\/strong>May 7, 2024 <strong><br \/><\/strong><span class=\"Y2IQFc\" lang=\"en\">Opening act for guitarist Mike Stern<\/span><\/p>\r\n<p><strong>Paris, P&eacute;niche Anako, <\/strong>November 21, 2023<\/p>\r\n<p><strong>Allex, Folies B&eacute;rang&egrave;res, <\/strong>November 2, 2023<\/p>\r\n<p><strong>Antraigues-sur-Volane, <\/strong>November 1, 2023<\/p>\r\n<p><strong>Saint-&Eacute;tienne en Quint, <\/strong>October 31, 2023 <strong><br \/><\/strong><\/p>\r\n<p><span style=\"color: #000000;\"><strong>Paris, la Bellevilloise, <\/strong><\/span><span style=\"color: #000000;\">June 17, 2023<\/span><\/p>\r\n<p><span style=\"color: #000000;\"><strong>Laval, <\/strong><\/span><span style=\"color: #000000;\">June 3, 4, 2023<br \/><\/span><\/p>\r\n<p><span style=\"color: #000000;\"><strong>Carri&egrave;re sur Seine, <\/strong><\/span><span style=\"color: #000000;\">14 may 14, 2023<\/span><\/p>\r\n<p><span style=\"color: #000000;\"><strong>Point de fuite, <\/strong>B&oelig;urs-en-Othe, January 28, 2023<\/span><\/p>\r\n<p><span style=\"color: #000000;\"><strong>Conservatoire des Co&euml;vrons, <\/strong>&Eacute;vron, January 20, 2023<\/span><\/p>\r\n<p><span style=\"color: #000000;\"><strong>Roy Hart Th&eacute;&acirc;tre, Les C&eacute;vennes <\/strong>August 19, 2022 <\/span><\/p>\r\n<p><strong>Th&eacute;&acirc;tre Th&eacute;nardier<\/strong>, <strong>Montreuil <\/strong>February 6, 2022<\/p>\r\n<p><strong>La Pomme d'Eve, Paris <\/strong>October 4, 11, 18 ;&nbsp; November 8, 15, 29 ; December 6, 13&nbsp; 2021<\/p>\r\n<p><strong style=\"caret-color: #000000;\">L'Hyper Festival de la Ville de Paris <\/strong>August<span style=\"caret-color: #000000;\">&nbsp;26, 28&nbsp;et&nbsp;29. Paris 75014<\/span><\/p>\r\n<p><strong>Festival Annecy Paysage<\/strong>&nbsp;July 14, 15<\/p>\r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span8  module_number_32 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    <p style=\"text-align: right;\"><img loading=\"lazy\" decoding=\"async\" src=\"\/-\/wp-content\/uploads\/2025\/04\/CD-Pochette-interieur-titres-Haim-Isaacs-Joni-Mitchell-in-Jerusalem-2025-04-01.jpg\" width=\"600\" height=\"555\" \/><\/p>\r\n                <\/div><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:60px;' class='span12  module_number_33 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    <p><img decoding=\"async\" src=\"\/-\/wp-content\/uploads\/2025\/04\/Bande-logos.jpg\" alt=\"\" \/><\/p>\r\n                <\/div><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:30px;' class='span3  module_number_34 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    \r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span3  module_number_35 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    \r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span3  module_number_36 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    \r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span3  module_number_37 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    \r\n                <\/div><\/div><!-- .module_cont --><\/div><div class='row'><div style='padding-bottom:30px;' class='span3  module_number_38 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    \r\n                <\/div><\/div><!-- .module_cont --><div style='padding-bottom:30px;' class='span3  module_number_39 module_cont  module_text_area'>\r\n                <div class='module_content'>\r\n                    \r\n                <\/div><\/div><!-- .module_cont --><\/div>","protected":false},"excerpt":{"rendered":"<p>Concert at Studio de l&#8217;Ermitage, Paris &#8211; march 2025 &#8211; photo Anne Dupagne JONI MITCHELL IN JERUSALEM CD Distributed by l&#8217;Autre Distribution &nbsp; &#8220;There are trendy tributes, and then there are declarations of love.&nbsp;Joni Mitchell in Jerusalem&nbsp;is one of those. A deferential, irreverent tribute to the brooding Canadian singer, Haim Isaacs&#8217; album revisits 11 tracks, urgently placing them on the worktable.&nbsp;Joni Mitchell in Jerusalem&nbsp;is one of those artisanal records, where one can sit back and listen to dreams. It&#8217;s a soundtrack, ferociously intimate, and paradoxically universal. &#8221; &nbsp; Pointbreak.fr \/ Groove &agrave; Plaisirs \/ by Guillaume Malvoisin &nbsp; &#8220;Ever since he was a teenager, Haim Isaacs has been passionately in love with the music of Joni Mitchell. He even became possessed by it, to the point of becoming a sort of &ldquo;singing madman&rdquo;, setting off from his native New York to spread the good word mitchellian, head to the wind, on the roads of the Middle East. Original and successful, the album Joni Mitchell in Jerusalem makes you want to listen to this inspired shaman in a place with a more than appropriate name&#8230; the Hermitage.&#8221; &nbsp; Telerama \/ by Louis-Julien Nicolaou &nbsp; &nbsp; PRESS, CHRONICLES &#8220;In the long series [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-611","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/pages\/611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/comments?post=611"}],"version-history":[{"count":6,"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/pages\/611\/revisions"}],"predecessor-version":[{"id":1518,"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/pages\/611\/revisions\/1518"}],"wp:attachment":[{"href":"https:\/\/haimisaacs.com\/-\/wp-json\/wp\/v2\/media?parent=611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}